Festival of Minimal Actions
Considering that the best way to keep a “performance” alive is to repeat it, I am inviting artists to share their inconspicuous actions dedicated to public space and its haphazard onlookers. As a Festival of Minimal Actions I repeat these concepts myself for a new and random audience and give them a new impact, or reason for re-appearing in public once more. To date, the Festival took place in Brussels (2014) and Paris (2015). The 3rd edition will happen in 2018 in San José (Costa Rica) on invitation of Despacio. Image: Reperformance of Adrien Tirtiaux‘s Dog Days
I looked on my head from above (Audio)
Originally developed as a written text, in this Audio version a English woman calmly performs a rendition of the text which consists of a succession of terse, matter-of-fact one-sentence descriptions of events and actions. Each sentence beginning with the first person pronoun ‘I’, giving the impression that her admission of responsibility is both a confession and a boast (…) As it becomes clear that the list of events intoned are in fact artworks performed by multiple mostly male authors, the integrity of the speaker withers …play excerpt
Kunsthalle3000 is an institution as intervention declaring specific spots within public space as Kunsthalle to create an intensive, yet temporary locale for performance, discussion, confrontation and interchange. To date, Kunsthalle3000 has been located in Vienna, Johannesburg, Geneva and Beirut. From January 12-February 2, Kunsthalle3000 opens its doors in Paris.
I want to become a millionaire
Since 2010, I am selling stamped and signed sheets with a sequential number for 1€ each. What started as a street performance, became a private funding system that supports my collaborative projects which are dedicated to public space and publishing: Kunsthalle3000, Festival of Minimal Actions and Mark Pezinger Verlag. To date, I have raised more than 30.000€. Please get your sheets here.
Living Room Demonstrations
“Living Room Demonstrations” bring an activity that is generally staged in public space into the private sphere of people’s apartments. What starts as a conversation and discussion about demonstrations and the individual experiences, leads to a privately enacted demonstration by the residents inside their living room.
To date, Living Room Demonstrations took place in Paris (in cooperation with Fondations Ricard) and in Vienna (in cooperation with Homesick Festival).
Private Monuments is a series of eight sculptures based on holes of missing bricks on public squares. As a positive of the original holes, they create fragments of public space within a new environment. Eight dedications can be found as instructions to activate these Private Monuments with momentary gestures that are an echo of the daily life on public squares.
Installation view: fiebach minninger, Cologne.
Bricks to Perform
A concrete stage and some bricks invite the audience to create and re-create potential brick sculptures based on the same-named publication.
A stone for your hand
Pick up a loose cobblestone and walk around the city with the stone in the hand. This gesture not only induces disconcerted looks from strangers, but also provides a strong personal experience to the performer: How does one’s gait change? Am I myself capable of throwing a stone? Under which circumstances?
Sometimes people use newspapers, magazines or cardboards when sitting outside on stairs, etc. Grounded Seats is a collection of these items to continue and preserve their newly dedicated function as seat covers.
Installation view: Bretter eben (with Eric Hattan) at Nicolas Krupp Gallery, Basel.
A valve for a spontaneous agression
A subtil offer for those who need to let out steam: I leaned planks against house walls at various places. Some time later, I returned to these spots and found most of the planks kicked through and broken.
20 stolen doorstops holding one single door open.
The Thinking Machine is a language-based instrument that follows the principles of OULIPO to create works by using constrained techniques: By spinning the wheels I receive a combination of 3 words that stays with me throughout the day and serves as the basis for my visualization. Since 2007, this little exercise is a continuing part of my everyday practice and results in an ongoing collection of text-image combinations that can be considered as a diary of perception.